To love beauty is to see light.
For the past few months I have been involved with a fellow photographer in an online experiment that explores photography as a language. The rules are simple; upload a photo to our Flickr stream and respond with another image. This can be based on colour, form or concept. This series has produced 24 images so far. Click on the image and find out how a tomato is transformed into an abstract colourfield image. All images by either Marcel Meier or Roman W. Schatz.
Autumn is a second spring when every leaf is a flower.
I have ben reading a lot about digital versus analog or film photography lately. A lot of the arguments centre around the economical advantage of digital photography; it costs less to make many images, versus the (perceived) more considered approach of film photography. I use a mixture of both, but I mainly make my photos with a digital camera. Having said that, I really like the manual approach of analog photography, but then I am a bit of a romantic when it comes to old cameras. I love holding them and admire the design of some of the classic cameras. However, for my daily work flow, I don’t want to spend time in a dark room and play with chemicals. I would rather spend time sitting in my thinking chair, holding an old camera and ponder my concept for my next shoot, which I will then execute most likely with one of my digital cameras.
There are a number of photographers, especially younger ones, who are returning to film cameras for the sake of the “art” of photography.
Some of the arguments are; ‘it lets me better focus on my photos’ … ‘analog cameras slow me down and allow me to concentrate more on the composition’ … etc. I agree that slowing down and taking fewer photos is a better way to work, rather than making a few hundred photos in a session. It all seems to be part of the retro trend that is happening in the developed world. Think Instagram, Hipstamatic and any number of retro analog apps for your digital smartphone. Lets go back to the future.
But I don’t think it has anything to do with your camera. There is a kind of digital greed that can happen with your digital equipment. I see people pointing the camera at anything that remotely interests them and clicking away. “I can always edit or delete that photo later”, is the motto. Just because you can does not mean you have too! I know, I have fallen for that trap many times.
Recently I have discovered a digital compromise method that is guaranteed to not only slow me down, but also satisfies my lust for analog technology and digital convenience. I have started work in full manual mode and I have equipped my digital camera with old analog lenses. This way I have to slow down and I will spend more time creating my composition.
Ultimately any camera can be used to make images, but what really matters is not how you make them but why you make them.